A Requiem, the poetry collection available now for £9 inc P&P. Email Josie Moon firstname.lastname@example.org
A Requiem, the poetry collection available now for £9 inc P&P. Email Josie Moon email@example.com
Monday was a monumental day. A great team assembled – better than the X Men, better than the Avengers, even better than Charlie’s Angels. These were real heroes; champions of music and children. Something spectacular happened.
Around 800 children under the direction of the inspirational Caroline Gooch performed A Soldier Through Time, supported by the La Luna creative team, a wonderful live band and a crew of staff who held the day together and made it deeply moving and immensely successful. The children sang their songs so beautifully and with such conviction and the story of Monsieur Perdu, a young French cartwright living in 1915 and facing war came to life for an audience of rapt parents and friends.
It has been such a pleasure to run this project in partnership with NEL Music Hub and to work with such a committed and engaged team of artists and teachers.
Here’s one of the songs https://www.youtube.com/watch?v=d8-jB6cexDk
Below is one of the stirring images from the work by artist Darren Gallagher.
The day continued with the first performance of the official tour of A Requiem with the Alan Barnes Octet and featuring the Great Grimsby Community Choir and Youth Voices, once again under the direction of Caroline. It is a challenging and wonderful work to perform and we were all delighted with how it went. The choirs added a further depth and dimension to an already rich and moving work.
The tour continues with two further gigs in July; Alford on July 20th and LLandudno on July 28th. The full details are below in the poster
A Requiem the book is now available to purchase direct from me for £9 inc P&P. Email firstname.lastname@example.org to order.
On Friday 15th February myself and the Alan Barnes Octet premiered our brand new collaboration, A Requiem, a brand new suite of music and poetry, commissioned by Grimsby Jazz Projects and supported with funding from Arts Council, England.
Having worked on the poems from the autumn of 2017 to a final tweak the day before the premiere, I was full of nervous excitement and anticipation – especially as I had not heard a note of the music and truly had no idea what to expect.
It was wonderful to be reunited with the full band again. I had been looking forward to seeing everyone again and have so many happy memories of outstanding gigs on our previous Fish Tales tour. This is truly an all-star band and each musician brings his own particular signature, which becomes apparent during the solo sections.
As we got underway with the rehearsal it was soon clear to me that the music was extraordinary. Full of twists and turns with complex rhythms and nuances; the music felt like a journey through time and through the story of war across a century that I was also telling with the poems. The music was full of drama and intrigue and I found it incredibly moving and intense.
The rehearsal day was given an extra layer of excitement as Radio Humberside were broadcasting live from the Central Hall throughout the afternoon and several of us gave brief interviews in which we talked about the work and the project as a whole. Friends and colleagues also came in to give short interviews about the work they are doing in the cultural sector in the town and so the rehearsal had the feel of an event in its own right.
It was a long day and the work required considerable concentration from everyone. After only a short rest for tea, showtime approached and I really felt the nerves kick in. I now have a better understanding of my ‘gig-zone’ and my need to have some space to mentally and physically prepare for performance. It’s an odd place where in equal measure I do and do not want to perform, where nervous energy builds and I have to turn inwards in order to find the right mood for delivering outwards to an audience.
Before I started writing A Requiem I never thought that war would be a subject I would want to work with. I spent a great deal of my undergraduate degree studying the world wars and the literature of war of the twentieth century. But it was not an area I ever wrote about in my own creative writing so when this process began I was taken aback by how I was gripped by the subject and how urgent it felt for me to write and to read and to go back to some of the literature that had so absorbed me when I was younger.
And it was not just the literature of war and the nature of conflict and its impact that gripped me, it was also the processes and rituals of commemoration and the artistic expressions of remembrance that I wanted to explore. I heard in my head the words of the Libera Me of the Latin mass for the dead;
Libera me, Domine, de morte æterna, in die illa tremenda
Quando cœli movendi sunt et terra
Dum veneris iudicare saeculum per ignem.
I couldn’t quieten the words, words I had sung over years of on-off membership of various choirs. I had the sense that the words were telling me something and I had an obligation to listen.
Using the structure of the Requiem mass for the dead gave me a clear starting point and an over-arching theme to work with. Alan and Pat liked the concept and so we all worked towards the production of words and music that would culminate in a work to both honour the dead and call for peace. I didn’t want to write a religious piece and worked carefully to ensure that my words would acknowledge all the dead of the century past regardless of creed, colour, gender or nationality and see every victim of war as first and foremost, human.
The work proved challenging to perform on Friday night. It is emotionally charged, powerful and in places bleak and dark. The subject matter is solemn and serious and I felt that solemnity around me as I delivered my words amidst powerful, strong and stirring music. However, one of the central motifs of the work is light, lux aeterna. The light always returns, however dark it has been.
I am now looking forward to recording the work and publishing the poems. I am also excited about touring A Requiem later this year and taking it to audiences across the country.
I am delighted to announce that A Requiem will premiere at Grimsby Central Hall on Friday 15th February at 7.30 pm. Tickets are now available from the box office, call 01472 355025 to reserve in advance at £13.
A Requiem is a collaboration between Alan Barnes, Pat McCarthy and myself and is work that examines the impact of a century of warfare across the world and which asks questions about the possibility of peace. The idea germinated on a dismal late autumn evening in 2017 when I was thinking about what remembrance means and what progress we have actually made across a century in terms of understanding and attempting to stop war.
With a great deal of hard work, commitment and energy, the indomitable Gill Wilde and I put together an Arts Council application to bring the work to life. Happily our bid was successful. Not only has this new work been commissioned, it will be recorded on CD and the poems will be published in a new collection. Venues across the UK have booked A Requiem and it will be seen by a national audience. Dale Mackie has produced the artwork for the project and internationally renowned artists will perform together to create a moving, memorable and ultimately uplifting tribute honouring all who have died in conflict.
Happy New Year to everyone. Here’s the link to the broadcast of Fish Tales from the Herts Jazz Festival. It’s available until about 22nd January on the BBC iPlayer.
Here’s a review from Jazz Rag of the performance at the festival:
One programmed concert of new music at many a festival these days is the latest suite by Alan Barnes, usually for an all-star octet. This year it’s Fish Tales, music and poems based on the Grimsby fishing industry. I often wonder how precisely thematically based jazz suites relate to their subject matter, but in this case the correspondence between the music and Josie Moon’s words is pretty close, from the rowdy fun of Three Day Millionaires to the street parade sounds of Homecoming, even Dave Green’s bubbling bass solo for The Drowning Man. Moon’s poetry covers the domestic, the documentary and the supernatural, her explanations are clear and her readings dramatic. Alan Barnes’ writing makes particular use of the versatility of his threeman reed section (some lovely writing for two clarinets and bass clarinet) and, with top-class soloists throughout the band, Mark Nightingale and Robert Fowler made a particularly strong impression.
Folkestone is quite a trek from Grimsby but I have become adept at sleeping in the back of the car or at being in a poet’s coma as my lengthy naps have been described. The Dartford Crossing is an event and I’m glad I was awake for it as the bridge is quite beautiful. The traffic isn’t and the roads are in a lamentable state – but I digress.
The welcome at Folkestone Jazz Club was warm indeed. The Tower Theatre is a beautiful space, a lovingly adapted chapel that is inviting and well designed for performances. The octet found themselves up close and personal again after being some distance apart at Herts on Sunday.
The vibe was suitably windswept and sea-inspired as a storm was brewing in Folkestone when we took to the stage for what was a barnstorming performance from everyone. Because the stage was small I sat to the side which gave me a new aural experience. I’ve got used to sitting with Mark and hearing a lot of gorgeous, warm brass solos from him and Neil with the visceral delight of Gilad cutting through. I’ve heard lots of drums and bass as well and so it was great to hear more of Alan, Dean and Pat this time.
After having my knees knock throughout the set last Sunday, I was pleased to feel enough nervous energy to power my performance but not so much that I feared I might fall over. As the tour has progressed I’ve added more layers of storytelling to my introductions and have grown in confidence. I feel I know the poems so well now and really enjoy inhabiting them as I share them with the audience.
The standing ovation at the end brought tears to my eyes and yet again the lovely comments from audience members made my heart swell.
I am thrilled that we have more dates in November and yet more next summer. At the moment I feel I could do this forever and never grow tired of it. However, there are stories, poems and ideas bubbling away and we shall see what time brings.
Photo credit: Melody McClaren with thanks
Back to life, back to reality, well until Thursday when we hit the road again and head for Folkestone for the last gig of part 2 of the grand Fish Tales Tour.
Grand indeed. We’ve had nothing but warm welcomes and kind words and I want to say thank you to all the venues and promoters who have hosted the production; Dave at Swansea Jazzland, Steve at Leeds Jazz 7, Chris at Wakefield Jazz and Clark at Herts Jazz Festival.
Thank you also to the lovely audiences who have been so rapt and so attentive. It has been a wonderful experience for me to truly feel the impact of my words in the response of the audiences.
Many thanks to everyone who has bought the books and CD’s, that is true support and is hugely appreciated.
Finally thank you to all the lovely people who I’ve spoken to after gigs who have commented on how much the poetry moved and affected them, how much they enjoyed the show and my delivery.
It is such a great joy and such a lot of fun to perform with this stellar cast of jazz legends, all of whom play with energy, fizz and aplomb. I have been dazzled by some of the solos and lost in the tunes as they weave and wander, telling the story through the voices of the instruments.
Fish Tales lives and breathes on the stage; it is a complex and beautiful work and I am immensely proud to have been part of its creation and to have the great good fortune to be bringing it to audiences across the country.
With National Poetry Day just one week away and lots of poetry events on the near horizon I thought a round-up of what’s going on would be a good idea.
On National Poetry Day, Thursday 28th September, the NE Lincs libraries are hosting readings from popular poets in our region. Between 1,00 – 3.00 pm you can hear poetry from Rob Etty in Cleethorpes, Maria Garner in Waltham, Margaret Griffiths and Caroline Burton in Immingham. Pat McCarthy and I will be performing together at Grimsby entral Library with poetry and improvised jazz. A little later at At 4.00 pm the Franklin College Young Voices will be reading at Riverhead Coffee. Carolyn Doyley and Gordon Wilson will be with them.
The Young Voices programme is now in full swing and their anthology will be the next La Luna publication, scheduled for release in time for Christmas. It promises to be a diverse and fascinating collection.
As part of their programme, Helen Mort will be running a workshop on October 6th followed by a reading from 5.00 pm on Friday 6th October at Riverhead Coffee. Helen has just won the 2017 Mslexia Women’s poetry Prize. She is a truly outstanding voice in British poetry.
Of course the next leg of the Fish Tales Tour kicks off in October and I can’t wait to be out on the road again.
Here’s hoping to see you at an event soon. Come and say hello.
This week sees the official release of A Fish Tale – A Story and Song for Children. This is the little sister project to the major A Fish Tale Jazz and Poetry tour. This work has been undertaken in partnership with Gill Wilde at Grimsby Jazz and Sue Baker at the NEL Music Hub. This Spring the creative team has delivered sixteen workshops for primary school children in NE Lincs.
Today we came together with 700 children, a fabulous band and conductor and performed the story and music live to an audience of rapt parents, grandparents and guests. What a joy. All of this work was made possible thanks to an Arts Council grant and has been money well spent on a worthwhile and hugely enjoyable piece of work.
We now have a wonderful book for sale; a photocopiable resource including the whole story, the songs, lyrics and music and a CD to accompany. This is available to order directly from me by emailing email@example.com
The book is £20 plus £1.50 p&p. This is a resource that can be used by children’s groups, schools, community groups, libraries and choirs and incorporates local history and myth as well as having fantastically singable songs.
I have to say a big thank you to my partner and co-writer in this project, Pat McCarthy who is a consummate composer and sympathetic arranger for voices. You can catch us out on tour with Alan Barnes and the orchestra across the country and also look out for McCarthy and Moon gigs coming very soon.
I always get gig nerves and I’m always glad I do. They have a focusing effect and take me right to the heart of the moment, to the meaning of the performance. It never matters how big or small the audience is, gig nerves are always welcome as a physical sign that I’m engaging with what’s about to happen.
The process goes in stages for me. In the afternoon before a gig I become introverted, lost in the anticipation of what’s ahead. I withdraw, go into that space inside that’s exclusively mine. It’s a private room in Moon Towers to which no one but me has access. Only recently have I recognized this withdrawal as a positive thing. I used to worry that it was my body telling me I didn’t really want to perform but now I see it’s my body’s way of making sure I’m ready.
As I physically get ready for the performance – hair,make-up, dressing – I come out of that withdrawal and into the anticipatory stage. Giddiness follows and then readiness.
Taking to the stage last night with the most incredible band, the Alan Barnes Octet, I felt that I had rarely been more ready or more up for a gig. This tour, this music, this poetry, this performance period feels like a whole new level of experience, a different world. It’s not just the fact that every member of the band is a stellar musician in his own right or that together their alchemy is beyond the reach of words. It’s also the marriage of words and music, of Ariadne’s silver thread leading the way through a labyrinth of rhythms and sounds and vibrations that create a whole shimmering completeness. It’s an ecstatic experience to be in and of that process.
Kardomah94 is an exceptional place. It’s an arts space with an ethos of ‘can do, will do, and they do. It is a venue that serves artists and audiences equally well and it truly was a pleasure to be there.
As with the very best gigs, I don’t remember very much about last night. But I do remember the conversations afterwards, the people we touched, the rapture in the room at moments.
Pauline, a member of the audience gave me two drawings as a gift. A witch in an eggshell and me as a mermaid. How beautiful that she saw me as a mermaid. Thank you Pauline. And thank you to everyone who came last night. It was truly something.
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