Hollowbone: Kathryn Tickell and the Darkening

https://www.kathryntickell.com/shop/items/albums/hollowbone Hollowbone is the 2015 album from Kathryn Tickell and the Darkening.
My original choice of album this week was Strange but True but it didn’t grab hold of me and so I went in search of more Kathryn Tickell and found Hollowbone which I’ve been listening to since the middle of the week and which has weaved its magical way into my psyche. It blends the contemporary and the traditional with vibrant arrangements and has a potent, stirring energy. I particularly love Hushabye Birdie/Hexham Lasses: https://www.youtube.com/watch?v=YbYMYGEkyvc&list=RDK3epYlJChcQ&index=5
I’ve long admired Kathryn Tickell and her impressive career as musician, teacher, musicologist and curator of valuable tradition. I enjoy listening to her shows on Radio 3 where she displays an abundance of warmth and knowledge and sheer love of music. She is central to the cultural life of the North East both in her work at Newcastle University – she was one of the founders of the Folk and Traditional Music BA course and where she still teaches – and through her foundation for young musicians. https://www.kathryntickell.com/biography She also works with The Sage in Gateshead.
Over a long and luminous career, Kathryn Tickell has worked with many musical collaborators including Linda Thompson, Andy Shepherd and The Penguin Café Orchestra to name a few. She has an extensive discography and continues to innovate and explore the music of the North East and Borders, bringing new and subtle layers in her arrangements and performances of traditional songs and tunes.
I am five days older than Kathryn Tickell. We are Summer of Love children, born under the sign of Gemini in 1967. I was destined to pass through Newcastle and the North East between 1985-89, my university years, which I reflect on as truly golden and formative. I lived in Gateshead, Fenham and Heaton and enjoyed making music in the pubs and folk clubs of that time- particularly upstairs at The Broken Doll on Wednesday nights It was a marvelous pub, famous for the blues but hospitable to enthusiastic students running a small folk club. Sadly it was destroyed in the interests of town planning and progress. It was a wonderful place.
It broke my heart to leave Newcastle and for some years I vowed to return. However, life takes us on our own paths and it was not to be. I have a wistful and happy remembrance of those years and I have visited a couple of times since; occasions imbued with the bitter/sweet emotions of retracing steps.
The vibrant presence of Kathryn Tickell, igniting passion for music, playing so magnificently and being a true Queen of the North lifts my spirits. The North East is an enriched and fortunate place for having her in it.
Sep
25
By Josie Moon
Bloody Amazing!
Category: Josie Moon, Social Comment, The Writing Process Tags: Menopause, Menstruation, Period Poverty, Women's Lives Leave a Comment
Breaking taboos
I am pleased and proud to have been been published in a taboo-busting collection of poems written by women all over the UK. Bloody Amazing! explores the health and social issues that affect experiences of women of all ages yet are hardly ever talked about: periods and menopause.
The anthology is intended to be a conversation-starter for everyone. If you’ve never had a period, you’ll find out what it’s like not just to experience it physically, but also to function on an everyday basis while you work hard to hide your secret. And as for what happens when it all stops…
It is a book of very human experiences, full of humour, grit, anger, pain, hot flushes, mood swings and, of course, blood.
Bloody Amazing! already has celebrity support in the form of comedian Jenny Eclair, author of Older and Wider – A Survivor’s Guide to the Menopause. She took very little persuading to write the foreword:
“I don’t think I’ve ever come across a collection of poetry that is so relevant and accessible about something that happens to around half of the planet at some stage of their lives. Who’d have thought that periods could inspire such a torrent of beautiful words? … I cannot recommend it highly enough.”
I was inspired to write about my experience of the onset of menopause. I am entering the third age and have to come to terms with letting go of my youth. It is painful and challenging. My hair is turning white, I have expanded around the waist and I am finding that my body often feels like a stranger to me. The unknown country of the future currently feels very disorientating.
I have been reflecting on my bleeding life, remembering the trauma and difficulty I experienced for decades. I was adept at avoiding school -especially PE lessons during periods. I lived in terror of the boys in my peer group going through my bag and finding sanitary towels and using them as a weapon of humiliation. I remember sitting my O Level English Literature exam in agony and under-performing as a consequence. I look back and shudder at the days I spent curled up around hot water bottles, lying in hot baths, battling three-day long migraines that became an unmanageable, chronic condition.
I remember one particularly horrible day at work when the pain was so bad, I slid down the wall outside my classroom and slumped on the floor wondering how the hell I was going to get up and get through the hour and forty minutes ahead of me with twenty rambunctious A Level Literature students. A colleague (female) saw me there and made a lairy comment, insinuating that I should ‘man up.’ And that’s often the problem isn’t it? Women are expected to behave as if they are not bleeding, not in pain, not struggling month after month after month – and sadly I’ve often found female colleagues unsympathetic simply because they breeze through their bleeds with no issues and can’t empathise.
The irony now, as I cease to bleed, as periods are down to one or two a year, is that when they come I welcome them like an old friend. I put this down to grief. I am grieving for the part of my life that is coming to an end and it is a complicated physical and psychological process. This is why this book is so special and so important. It brings together a flood of women’s experience. It is a bold, brave and timely collection.
Only last year, I burst into tears listening to Dawn Butler talk seriously about legislation to help women in the work place with menstruation and menopause, bringing this subject into the public domain and acknowledging its importance. Sadly we will now have to wait longer for that legislation, for social and political change that acknowledges and understands bleeding and all its attendant issues in a grown-up way. But this book supports the movement for change.
Co-editors Gill Lambert of https://www.yafflepress.co.uk/ and Rebecca Bilkau of https://beautifuldragons.net/ came up with the idea for the anthology after a conversation about how difficult it is to talk openly about menopause and menstruation.
“Women have kept quiet for centuries about ‘women’s problems’ but the taboo is beginning to crumble, especially with excellent campaigns like Bodyform’s #wombstories or initiatives such as The Vagina Museum in London. That’s why we thought it was a timely idea for the two publishing houses to combine forces with poets to create an anthology that addresses the taboos and experiences around menopause and menstruation. And they haven’t let us down.”
All proceeds from the sale of the book will go towards period poverty charities.
Bloody Amazing! is £10 + £1.50 P&P and is available on www.bloodyamazing.co.uk.
Cover art by Jane Burn. Find out more about Jane at: https://www.culturematters.org.uk/index.php/itemlist/user/683-janeburn
https://www.facebook.com/jane.burn.5