Oulou Sangaré recorded her first album, Moussoulou (“Women”), with Amadou Ba Guindo, a renowned maestro of Malian music. The album was very successful in Africa, with more than 200,000 copies sold initially on tape. The album was released in 1990 when Sangare was twenty-one years old.
In the midst of a bleak week, Oulou Sangare’s voice brought shafts of sunshine and warmth. Listening to her debut album, its rich rhythms and feisty vocals, I was lifted out of the challenges of the days for some bright and beautiful moments. Prior to listening to this album I knew nothing of Oumou Sangare. Part of the point of this year is to listen to more diverse women’s voices and to educate myself about the cultures these artists come from.
Moussolou means women and in the album’s title song Oumou Sangare speaks to the women of Mali about their lives and their positions. She has written extensively since her first album about women and the low status that women endure in society. She is an advocate for women’s rights, and is critical of child marriage and polygamy, having experienced the effect the latter had on her mother when Sangare was a child.
Sangaré has worked as a goodwill ambassador for the United Nations Food and Agriculture Organization, but when asked about politics says: “While you’re an artist, you’re free to say what you think; when you’re a politician, you follow instructions from higher up.”
Oumou Sangare has performed all over the world since her success with Moussolou and has worked with numerous artists including Herbie Hancock and Bela Fleck. She is a vibrant and inspiring artist with a captivating voice and commanding musicality.
If you want to get a flavour of Oumou as she is now, then watch her here, live in London in 2019: https://www.youtube.com/watch?v=dQtibyqDyZE